The best tools for writers in 2026

You don’t need anything fancy to start writing.

It’s important to say this from the start: you don’t need fancy kit to write. Some of the greatest plays and novels of all time were scratched out with a quill. I wouldn’t advise going that retro, but all you really need to begin is a pen and some paper.

My pen is a Pilot V5 (I have hundreds of them, all over the house). For paper I use more or less anything, though as a left-hander I prefer a notepad that lies flat, or flips at the top.

For my journal, I like a good-quality paper so I can write on both sides without ink showing through. I find it hard to walk past a stationery shop, so I have a drawer full of blank journals from all over the world. Especially Japan and Italy. But for the past few years I’ve been fairly loyal to Leuchtturm 1917 notebooks, which have lots of great features including numbered pages if you like to index your notes, and a choice of lined, dotted, plain or squared paper. (I choose squared, since you ask.)

But honestly, all of this is a matter of taste – and budget.

My advice to new writers?

Start before you’re ready. Don’t wait for the perfect time, the perfect writing space. And certainly son’t wait until you can afford an expensive laptop or any of the tools below. Just pick up something to write with and on (a pen; your phone) and write where and whenever you can. You’ll be terrible, at first. But the only way to get better is to keep at it.

If you are more experienced, however, the right tools and resources can really help you become more efficient in optimising your time, juggling multiple projects and finding an audience for your work.

Here are some of the best ones I’ve found, in my 40 years as a professional writer.

Scrivener

I used Microsoft Word pretty much since it launched for Mac, but recently I find I rarely open it. It’s become too complicated, I resent being charged for AI I don’t want or need, and it no longer feels like it was made with writers in mind.

I often write shorter pieces such as blog posts directly into my note-taking app, Mem.ai (see below). If I’m collaborating, it’s often on Google docs. But anything complicated or longer than 2000 words goes into Scrivener.

I find it’s a great container for everything I need for writing a book or similar long-form project. You can set up chapters, sections or scenes easily, and then skip between them without needing to scroll endlessly. You can also compare previous drafts or look at notes and source materials (anything from articles, web pages, photos and maps) , all without needing to open other software, or manage multiple tabs and windows.

It’s one click to go into full screen composition mode and focus solely on the page you’re working on, with the rest of your desktop hidden. And with another single click, you can keep earlier drafts within the same document, and retrieve them easily if there’s something you want to restore or refer back to.

Learning Scrivener can be a steep curve.

I first bought it not long after it first came out in 2007. People were raving about it as a tool made for writers by people who understood writers. But I just didn’t get on with it. I was a busy journalist then, constantly on deadline with little time for learning new software. And when you first encounter Scrivener, compared to Word or Google docs, it can seem a little… over-complicated. 

When Scrivener 2 came out and writer friends praised it even more, I tried again. And then again with Scrivener 3. By then, however, I was mainly writing books, and the software made much more sense. I also found a good teacher: Gwen Hernandez (not an affiliate link – I just like her courses). Her clear and reasonably priced Fundamentals and Mastery video walk-through courses really helped. 

Every writer can customise Scrivener to fit their own writing process. There are features I will never need, but that other writers might find essential. And there are other features I use daily.

Anyway, now I wouldn’t be without Scrivener. For anyone writing books, scripts or long-form journalism, or papers and essays with lots of complicated moving parts, I warmly recommend it.

Vellum

I write my books in Scrivener. And you can output finished books from there, too. But when I’m self-publishing, I move to Vellum for formatting and design. Vellum is easy and intuitive to use, and gives you a variety of options for customising everything from chapter headings to text separators.

Then it will output your professional-looking book into different file formats: Kindle, Apple Books, generic e-book, Nook, Kobo or print versions. 

You don’t have to take my word for it. The trial version is completely free to download and play with for as long as you want; you only need to pay when you’re ready to get the finished files for publishing. The only downside that I’ve found: it’s Mac-only.

Mem.ai

I’ve been looking for the right note-taking app ever since I read Sonke Ahrens’ book How To Take Smart Notes. Then last year Tiago Forte’s brilliant book Building A Second Brain made the search even more urgent for me.

Both books are great if you looking for ways to retain more of what you learn, and to be able to retrieve it when you need it – even if you’ve forgotten you had it. But if you only read one, Forte’s system was created for the digital world and for contemporary creators, whereas Ahrens is more rooted in academia and quite dated in some of the tools he recommends.

After trying out several apps, Mem.ai is where I ended up. Notion has far more integrations with other software if that’s what you need, but I love how simple Mem is to use and the clean, uncluttered interface.

I now use Mem to store everything from useful social posts and web pages to my notes on books I’ve read, courses I’ve taken, podcasts and talks. It has become my hub for managing projects, For my daily journal, and for my weekly and monthly reviews.

When I write in Mem, the AI sits in a side-panel, offering connected notes that I might want to reference. It will often surface a relevant quote, fact, or report that I’d forgotten I’d ever saved, or notes I’d written that I can incorporate into what I’m writing. It saves me hours of looking through books or old notebooks for things I vaguely remember reading or writing.

It doesn’t try to write for me. I don’t want or need that. It’s more like having an efficient research assistant, shifting through my archive and finding material that might help.

If you have a lot of online meetings, it also takes clear, accurate notes and even picks out action points if there are things you need to do afterwards.

I find note-taking and organising apps are intensely personal – you need to choose one that fits the way you think, rather than trying to change your brain to suit the software. There’s a free version of Mem if you want to try it, but if you then decide to subscribe to the more powerful paid version, use CREATIVELIFE at the checkout, and you’ll get 20% off.

WisprFlow

I’ve earned my living as a writer for more than 40 years, and I have loved it. But it does mean I don’t move my body as much as I should, and the many hours of typing have left my wrists in bad shape.

WisprFlow is the best solution I’ve found so far. I can press a single button on my keyboard, and dictate copy instead of typing it on my laptop and desktop computers. The free version is pretty good, but the paid one is astonishing, coping with my Midlands accent much better than other software I’ve tried.

It’s not quite as accurate on my iPhone, but it’s still pretty good. So I can now go for a daily walk and dictate copy into my phone while I’m on the move.

Writer’s Hour at the London Writers Salon

It wasn’t until the pandemic that I realised how important writing in coffee shops was to me. I’d done it for so long that I took it for granted: if I’m stuck or distracted writing at home, writing while surrounded by strangers seems to motivate and focus me. 

Deprived of this, I found it hard to stick to a routine. I was easily distracted at home, and ended up working weekends and into the night to catch up. Then I found the Writers Hour, which meets via Zoom at 8am-9am in four time zones every day: GMT (UK); EST (New York); PST (Los Angeles); AEST (Melbourne). You can attend any or all of them, wherever you are in the world; we’re an international tribe. 

I’ve barely missed the UK one since I found it, sometimes going for the later ones too if I have the luxury of a full day writing. It’s free to join and introvert-friendly. You log in, say hello in the chat and share what you’re working on (but only if you want to). The moderator reads out an inspiring quote about writing or creativity, and then you write, in companionable silence, for 50 minutes. 

Often I stop noticing the others on my screen.

But on days when I’m tired or distracted, there’s something lovely about looking up and seeing others in flow – or not. Some are grimacing at their screens, staring into space, fidgeting; others are fully absorbed in their work. 

At the end of the hour, we briefly share in the chat how the session went, and the moderator might call on one or two people to talk about what they’re working on. (Again, if you’re shy, this is not compulsory!)

We all have good days and bad days, but simply making that commitment to show up and write for an hour every weekday has changed everything for me. It means I get some solid writing time in before breakfast, and even if I don’t get back to the page for the rest of the day, I’ve at least made some progress.

The London Writers’ Salon also runs an array of interviews and masterclasses with authors and publishing professionals, and runs a Patreon scheme with varying levels of additional support. And full disclosure: I’m now a coach for their Gold members. But I still use the Writers Hour regularly, to keep my own writing on track.

Society of Authors

For most of my working life, I belonged to the National Union of Journalists. And they do great work. Though I always felt that my area of expertise – magazines, and feature writing – were more of an afterthought than an integral part of that work. I got used to being referred to as from ‘the shallow end’ by news journalists, and rarely felt the workshops and meetings were really aimed at me. 

Recently, a friend urged me to join the Society of Authors, and it felt like coming home. You need to be a published author to join, so this is a space for serious writers of all kinds. They’ll look over contracts for you, offer advice, and they organise regular talks and workshops. They also do really important work around protecting copyright and campaigning for author’s rights. If you do have a book published in the UK, I’d urge you to join, if only to support them in this work.

Authors Licensing & Collecting Society (ALCS)

Since 1977, ALCS has paid out over £570m to writers and visual artists for secondary uses of their works. This means everything from photocopying and scanning books and articles to libraries lending out your work. If you write for magazines (newspapers aren’t covered), if you publish books, write scripts or even have a blog in the UK, it’s probably worth registering.

They pay out twice a year. When I was regularly published in magazines, my payments were in the four figures. Even now, when I’m not publishing journalism regularly, it’s a few hundred pounds. Lifetime membership costs £36.

Ads For Authors

This is a pricey, premium course by Self-Publishing Formula, a company run by successful thriller writer Mark Dawson, who also hosts the informative SPF Podcast. Only invest in it if you’re definitely going the self-publishing route, and are ready to promote your books with paid ads. It’s aimed primarily at fiction authors writing in series, but there’s plenty of good information here for non-fiction authors and writers of one-off standalone novels. 

My first self-published book was a reissue of Adventures In Wonderland, a history of the club culture that led to the acid house/rave explosion, and the reverberations of that energy through nightclubs ever since. It had been out of print for more than 20 years, and I reissued it because it was selling for £200 second-hand, which felt wrong. Unexpectedly, it sold very well.

After a few months sales started to drop, so I used this course to learn about Facebook and Amazon ads, and I now invest about £90 a month in advertising. Book sales have given me a consistent monthly income ever since. Which makes the initial investment in this course a no-brainer. 

There is also in-depth information on BookBub ads, and all sorts of other help with writing and designing your ads and launching your book successfully.

The information is thorough, in-depth, and your fee includes all future updates of the information, which is revisited regularly. The course has an added bonus of membership of the SPF Mastery Facebook group for self-published authors. Every question I’ve posted there has been answered with generous advice and guidance, and it’s a community full of positive people who cheer each others’ successes.

Books about writing

Writers love to read – and write – about writing. So there’s a wealth of material about the craft, process and rituals of writing, about the elements of a compelling story, or how to write a novel/screenplay/non-fiction/any other genre of book. Here’s a list of my personal favourites: it’s one of the most popular posts on this site.

The Creative Penn

Joanna Penn is a thought leader when it comes to self-publishing. She has two successful fantasy/thriller series of her own under the name JF Penn, and a whole series of useful, reasonably-priced non-fiction books about self-publishing, and organising your life as an author.

Her long-running weekly podcast keeps up with all the latest news in publishing, and often has a guest interview about some aspect of the writer’s life. And her website is packed with useful information. If you’re thinking of going the self-publishing route, this is a great place to start. You might also want to read this post about my self-publishing journey.

Want more podcasts for writers? I’ve made a list of my favourites.

Planning/organising tools

I keep track of deadlines, multiple projects, and stay focussed on what’s important using the monthly and weekly planners from Productive Flourishing. You can download them as PDFs each month for free here (there are daily ones too, but I don’t tend to use them). They also have an app based on the same system. I tried it at launch, but found it a little clunky.

My task manager is Things (again, Mac-only, sadly). I have it synched across my desktop, phone and iPad, and I’ve used it now for years, after trying almost every other time of digital to-do list and task manager. I like the simplicity and clean design of Things: it keeps me on-track with multiple projects, without being so complex that maintaining it becomes a job in itself.

Finally I use Readwise Reader to store online articles, videos, podcasts, pages I want to consume later. This means less stored emails, open tabs, lists, and all the other ways you have of tracking this information. One click, and it’s saved – and I have a rich, deep library of useful, inspiring or entertaining stuff to dip into whenever I want to.

So those are some of my best tools and resources. But every writer is different, so I’d love to know yours. Share them in the comments below!